Sunday, June 5, 2011

Pygmy

#598
Title: Pygmy
Author: Chuck Palahniuk 
Publisher: Anchor
Year: 2009/2010 
256 pages
Audiobook

Fun enough, and its language inspired me to re-read A Clockwork Orange. Enjoyable as an audiobook. Although sort of stupid, it's amusing, and more hopeful than much of Palahniuk's oeuvre. As always, Palahniuk undoes the power of his work by not trusting the story's world to stand without assistance, and by devolving into the kind of overboard, unrealistic violence, smut, and unreality that mars so much of his work. I'm not talking about the rape in the men's room, but the climactic (sic) moment when an explosion throws really stupid debris. With just a little more restraint, Palahniuk could transcend. At present, he still merely amuses, with stupid that's more embarrassing than entertaining.

The Name of this Book Is Secret

#597
Title: The Name of this Book Is Secret
Author: Pseudonymous Bosch 
Publisher: Little, Brown Young Readers 
Year: 2008 
384 pages

A cute enough middle reader frolic, with some good ideas (the Symphony of Smells is a fine example). It didn't have much in the way of character identification or emotional punch for me, but it's a fast book and probably satisfying for readers in its target demographic. 

Storytelling in Cambodia

#596
Title: Storytelling in Cambodia
Author: Willa Schneberg
Publisher: CALYX Books
Year: 2006
132 pages

Image-rich poetry that creates a portrait of a person, a country, and sometimes person-in-country. The poems are often narrative. I wish the author had trusted the reader a little more and omitted the explanatory footnotes or written an endnote with explanations instead.

The Windup Girl

#595
Title: The Windup Girl
Author: Paolo Bacigalupi
Publisher: Night Shade Books
Year: 2009
359 pages
Audiobook

The reader of this audiobook was unbearably slow, so I listened to the whole thing on higher speed.

There's not a lot of science fiction set in Southeast Asia, so I was happy to listen to this audiobook while I was there. It's a global warming biopunk story of uncomfortable heat, drippy, disgusting wetness, and terrible smells. It was a great pleasure to wander the gritty and sticky streets of downtown Phnom Penh, plugged in by one earbud, slowly deliquescing amid the rambutans and rotting shellfish.

This is a novel about corporate greed and indifference, juxtaposed with the more intimate violence governments and individuals perpetrate upon one another. Corporations continue to whore for profit with no regard to the suffering and threats their behavior creates, and without considering the effects on people or holding any notion of altruism or benefit to the community. The chief commercial players here are the agribusinesses that create, sell, and sabotage genetic stock, both animal and vegetable. The citizenry must be diligent as diseases and mutagens abound; at the same time, people grow complacent and lax and, as the story unfolds, are rather viciously corrected. Salaryman becomes calorieman.

Against this backdrop, we learn the story of the Japanese windup (genetically modified) girl, Emiko, abandoned in Thailand and, because she has been built to serve, prostituted. There's a certain amount of sexual brutality, though if The Girl with the Dragon Tattoo didn't bother you, this won't, either. Emiko intersects with other characters, including the agri-spy Anderson Lake. There are some confusing points in the plotting and sequence of action, but generally speaking the narrative holds together well. As tension mounts, Emiko, perhaps herself a viral entity or tool of sabotage, attempts to save herself. The identified villain is a Hannibal Lector/Emperor Tiberius sort of fellow, complete with cat (though in this case it's a mutant cat that changes color). The group of people present at the book's denouement struck me as very funny, and I laughed aloud while wandering the streets.

Prepare by reading Bananas!: How The United Fruit Company Shaped the World for agribusiness deceit, The Untold History of the Potato for blight-related musings, Bangkok 8 for Thai atmosphere, Leviathan (Westerfeld's, not Hobbes's) for biopunk/steampunk, and, later, Oryx and Crake for more gooey genetically-brokered dystopia.

In Transition: Contemporary Cambodian Artists

#594
Title: In Transition: Contemporary Cambodian Artists
Curator: Ly Daravuth
Publisher: Reyum Institute
Year: 2008
79 pages

This catalogue showcases the work of a number of contemporary Cambodian artists associated with Reyum. Most are young and male. They receive funding or other support to pursue their study of art. Each artist is represented by a short biography and examples of their work.

How I Killed Pluto and Why It Had It Coming

#593
Title: How I Killed Pluto and Why It Had It Coming
Author: Mike Brown 
Publisher: Spiegel & Grau
Year:  2010
256 pages
Audiobook

A science memoir by the guy who helped demote Pluto from planet to dwarf planet by discovering, among other celestial bodies, the dwarf planet Eris. This is important stuff for those of us who as children memorized the order of the planets without benefit of mnemonics (e.g., Heinlein's "Mother very thoughtfully made a jelly sandwich under no protest"). Here's your new one, reported by Brown: "Many Very Educated Men Just Screwed Up Nature."

The book went quickly and was accessible without being fluffy. It covers Brown's professional history and discoveries plus his personal and family life. I'd have liked to know more about the funding structure behind the sort of inquiry Brown describes, since the description is pretty thin and glossed over. The use of giant telescopes and the granting of tenure don't come from nowhere. 

The State in the Third Millenium

#592
Title: The State in the Third Millenium
Author: Reigning Prince Hans-Adam
Publisher: I. B. Tauris 
Year: 2009
Country: Liechtenstein
222 pages

Liechtenstein. If there was a translator, I can't find who it was.

I enjoyed this political discussion by the reigning prince of Liechtenstein more than some of the other world book challenge selections I've made. I appreciated some of the ideas while also having questions--Where do you get this somewhat unrealistic view of war from? What is your ambivalence about atheism? What do you do with arguments based of ancestral lands? What about countries with gun-hoarding? Still, it felt like a dialogue with the author rather than an especially frustrating reading experience. The section on forms of democracy was particularly enjoyable. Fun fact about Liechtenstein: The populace can vote out the reigning monarch or, indeed the monarchy itself.