#709
Title: Bright-sided: How the Relentless Promotion of Positive Thinking Has Undermined America
Author: Barbara Ehrenreich
Publisher: Renaissance Press
Year: 2009
256 pages
Audiobook.
Overbroad strokes and a sour attitude no matter what render this one of Ehrenreich's worse showings. In her contempt for the positive psychology movement, she sloppily confounds a varity of professional and pop practices, and seems to ignore the vast world of cognitive psychotherapy, which is nothing if not tediously data-rich. Ehrenreich (and to be fair, some of those she derides) seems to think the goal of cognitive or positive intervention is to live longer. It's not. What some studies do show is not gains in longevity, but a better self-reported quality of life. Ehrenreich might see this as a way to coax people to go gently into that good night, but that isn't how I've experienced it as a therapist or informed consumer. She chooses really outlandish, stupid examples without identifying them as extreme, and she ignores the huge history of stupid practices in the name of religion, vilifying psychology as if it did not derive from and in many ways reflect the field of philosophy.
I can identify with her indignation expressed in the breast cancer chapter, and found her discussion of Calvanism interesting. The others are often distorted and bitter rather than funny.
Ehrenreich's Marxism is best when she sticks to her critique of capitalism, rather than, as in Nickel And Dimed: On (Not) Getting by in America, when she devolves to snapping at white women for, she reports, having more pubic hair in their bathrooms. Bright Sided may be my last Ehrenreich.
Saturday, November 5, 2011
The Curse of the Giant Tortoise: Tragedies, Crimes, and Mysteries in the Galapagos Islands (6th Ed.)
#708
Title: The Curse of the Giant Tortoise: Tragedies, Crimes, and Mysteries in the Galapagos Islands (6th Ed.)
Author: Octavio Latorre
Publisher: National Cultural Fund
Year: 1997
Country: Ecuador
243 pages
Ecuador.
A poorly-organized, poorly-translated hidtory of Galapagos. It often crosses into incoherence and doesn't seem to have a point other than to describe a series of disasters that, for a reader without other references and resources, are here rendered unintelligible.
Title: The Curse of the Giant Tortoise: Tragedies, Crimes, and Mysteries in the Galapagos Islands (6th Ed.)
Author: Octavio Latorre
Publisher: National Cultural Fund
Year: 1997
Country: Ecuador
243 pages
Ecuador.
A poorly-organized, poorly-translated hidtory of Galapagos. It often crosses into incoherence and doesn't seem to have a point other than to describe a series of disasters that, for a reader without other references and resources, are here rendered unintelligible.
[Mrs. Frisby and the Rats of NIMH]
#707
[Title: Mrs. Frisby and the Rats of NIMH]
Author: Robert C. O'Brien
Publisher: Aladdin Books
Year: 1971/1986
240 pages
BEFORE:
The serendipitous and simultaneous purchase of Rat Girl: A Memoir and Rat Island: Predators in Paradise and the World's Greatest Wildlife Rescue at the National Discount Rituals to Mark the Death of Borders was neither unremarked (by others) nor uncelebrated (alas, by me alone). I realized that I had other rat books at home, enough for a thematic rat shelf. Zinsser's Rats, Lice, and History: Being a Study in Biography, Which, After Twelve Preliminary Chapters Indispensable for the Preparation of the Lay Reader, Deals With the Life History of Typhus Fever, Sullivan's Rats: Observations on the History and Habitat of the City's Most Unwanted Inhabitants, and Guthrie's Even the Rat Was White: A Historical View of Psychology (Allyn & Bacon Classics Edition), Second Edition would be nicely complemented by Hersh and Stolzenburg. I am the type of person who rearranges some of the shelves to see if you are paying attention: Less Than Zero to Ten Thousand Light-Years From Home. The Sound and the Fury, The Red and the Black, The Cook and the Carpenter. Organization by spectrum. Spines depicting faces. I'm like the Kliban cartoon captioned "Just give Alice some pencils and she will stay busy for hours."
In the night I bolted up in a cold sweat. It was actually a hot sweat, but the room was cold. I cried out, but using my inside inside voice, "What about Mrs. Frisby?!" I had read Mrs. Frisby and the Rats of NIMH, twice. Surely I had a copy. Where else would I have read it? Not at a friend's house. Let's face it, my friends have kids who move right from Heather Has Two Mommies to Fast Food Nation: The Dark Side of the All-American Meal. They eschew the Frisbys and The Borrowers and Caddie Woodlawn. I, too, had skipped directly from Little House in the Big Woods to Gods, Graves and Scholars: The Story of Archaeology and History Begins at Sumer: Thirty-Nine "Firsts" in Recorded History. In fact, I lost points on an IQ test in high school when I answered the question "Who is the god or goddess of dreams?" with "Geshtinana, the divine poetess and dream interpreter." Apparently when your guidance counselor answers "In which mythology?" with "Any," she doesn't mean Sumerian. I'd have known the correct answer if those Percy Jackson books had been published, but they were decades in the future. The point is, I skipped most children's and middle readers' books, returning to them only as an adult.
I have a hard time with library books, too. There's something about a library book that makes me want to eat it rather than read it. I don't like the time pressure. Sometimes a book needs to deliquesce on my shelf for 3 or 4 years before it is sufficiently ripe. So where had the copy of Mrs. Frisby I mostly undoubtedly had had gone to?
I don't know, and I don't care. I picked up a used copy for $2 today. I will re-read it soon. At that time, my review will follow this exposition. My rat shelf is sufficient until I acquire a copy of Doctor Rat, which I began but never finished when I was 15 and worked at a library.
AFTER:
As a child, I was troubled by the lack of verisimilitude in Stuart Little. It wasn't the invisible car that bothered me, but the idea that a human could give birth to a mouse and even notice. I was aware, even as a tot, on account of my mad reading skillz, that baby mice were born in littlers, not singly, and that a litter of mousie pups would fit in a spoon. I merely mention this to demonstrate that I am a discerning reader who can suspend my disbelief when warranted. I was willing to believe that good commie rats can form an anarcho-syndicalist collective and live off the land, while bad capitalist rats get zapped by their own electricity. Or at least, that is how I read the moral.
[Title: Mrs. Frisby and the Rats of NIMH]
Author: Robert C. O'Brien
Publisher: Aladdin Books
Year: 1971/1986
240 pages
BEFORE:
The serendipitous and simultaneous purchase of Rat Girl: A Memoir and Rat Island: Predators in Paradise and the World's Greatest Wildlife Rescue at the National Discount Rituals to Mark the Death of Borders was neither unremarked (by others) nor uncelebrated (alas, by me alone). I realized that I had other rat books at home, enough for a thematic rat shelf. Zinsser's Rats, Lice, and History: Being a Study in Biography, Which, After Twelve Preliminary Chapters Indispensable for the Preparation of the Lay Reader, Deals With the Life History of Typhus Fever, Sullivan's Rats: Observations on the History and Habitat of the City's Most Unwanted Inhabitants, and Guthrie's Even the Rat Was White: A Historical View of Psychology (Allyn & Bacon Classics Edition), Second Edition would be nicely complemented by Hersh and Stolzenburg. I am the type of person who rearranges some of the shelves to see if you are paying attention: Less Than Zero to Ten Thousand Light-Years From Home. The Sound and the Fury, The Red and the Black, The Cook and the Carpenter. Organization by spectrum. Spines depicting faces. I'm like the Kliban cartoon captioned "Just give Alice some pencils and she will stay busy for hours."
In the night I bolted up in a cold sweat. It was actually a hot sweat, but the room was cold. I cried out, but using my inside inside voice, "What about Mrs. Frisby?!" I had read Mrs. Frisby and the Rats of NIMH, twice. Surely I had a copy. Where else would I have read it? Not at a friend's house. Let's face it, my friends have kids who move right from Heather Has Two Mommies to Fast Food Nation: The Dark Side of the All-American Meal. They eschew the Frisbys and The Borrowers and Caddie Woodlawn. I, too, had skipped directly from Little House in the Big Woods to Gods, Graves and Scholars: The Story of Archaeology and History Begins at Sumer: Thirty-Nine "Firsts" in Recorded History. In fact, I lost points on an IQ test in high school when I answered the question "Who is the god or goddess of dreams?" with "Geshtinana, the divine poetess and dream interpreter." Apparently when your guidance counselor answers "In which mythology?" with "Any," she doesn't mean Sumerian. I'd have known the correct answer if those Percy Jackson books had been published, but they were decades in the future. The point is, I skipped most children's and middle readers' books, returning to them only as an adult.
I have a hard time with library books, too. There's something about a library book that makes me want to eat it rather than read it. I don't like the time pressure. Sometimes a book needs to deliquesce on my shelf for 3 or 4 years before it is sufficiently ripe. So where had the copy of Mrs. Frisby I mostly undoubtedly had had gone to?
I don't know, and I don't care. I picked up a used copy for $2 today. I will re-read it soon. At that time, my review will follow this exposition. My rat shelf is sufficient until I acquire a copy of Doctor Rat, which I began but never finished when I was 15 and worked at a library.
AFTER:
As a child, I was troubled by the lack of verisimilitude in Stuart Little. It wasn't the invisible car that bothered me, but the idea that a human could give birth to a mouse and even notice. I was aware, even as a tot, on account of my mad reading skillz, that baby mice were born in littlers, not singly, and that a litter of mousie pups would fit in a spoon. I merely mention this to demonstrate that I am a discerning reader who can suspend my disbelief when warranted. I was willing to believe that good commie rats can form an anarcho-syndicalist collective and live off the land, while bad capitalist rats get zapped by their own electricity. Or at least, that is how I read the moral.
State of Wonder
#706
Title: State of Wonder
Author: Ann Patchett
Publisher: HarperCollins
Year: 2011
353 pages
Audiobook.
A somewhat silly premise and conclusion, though that's okay for this light fare. I don't buy for a minute that she'd leave Easter. Another 20 pages of agonized decision-making could have rescued this. and served the novel's need for Marina to have learned something about herself, her own choices, and moral relativism in order to moderate her contempt for Mr. Fox.
Title: State of Wonder
Author: Ann Patchett
Publisher: HarperCollins
Year: 2011
353 pages
Audiobook.
A somewhat silly premise and conclusion, though that's okay for this light fare. I don't buy for a minute that she'd leave Easter. Another 20 pages of agonized decision-making could have rescued this. and served the novel's need for Marina to have learned something about herself, her own choices, and moral relativism in order to moderate her contempt for Mr. Fox.
The Shadow of the Wind
#705
Title: The Shadow of the Wind
Author: Carlos Ruiz Zafón
Publisher: Penguin
Year: 2005
500 pages
Grand themes of destiny, conflation/collapse, and perfect coincidences are engagingly drawn in broad strokes, similar to but grander than Q & A (Slumdog Millionaire). Occasional slips into magical realism weren't necessary and bugged me. Some parts fit together better than others; at best, it was like seeing something sucked into a whirlpool, disintegrated, and miraculously emerging in a different form. The burned man's identity was obvious early on. Oddly, I was simultaneously reading The English Patient, with its own burned man whose identity was important and concealed.
Title: The Shadow of the Wind
Author: Carlos Ruiz Zafón
Publisher: Penguin
Year: 2005
500 pages
Grand themes of destiny, conflation/collapse, and perfect coincidences are engagingly drawn in broad strokes, similar to but grander than Q & A (Slumdog Millionaire). Occasional slips into magical realism weren't necessary and bugged me. Some parts fit together better than others; at best, it was like seeing something sucked into a whirlpool, disintegrated, and miraculously emerging in a different form. The burned man's identity was obvious early on. Oddly, I was simultaneously reading The English Patient, with its own burned man whose identity was important and concealed.
The Pilgrim's Progress from This World to That Which is to Come, Delivered under the Similitude of a Dream
#704
Title: The Pilgrim's Progress from This World to That Which is to Come, Delivered under the Similitude of a Dream
Author: John Bunyan
Publisher: Blackstone Audio
Year: 1666/2000
325 pages
Audiobook.
This is not a review of the religious sentiments expressed in this early allegorical novel.
The allegory itself was heavy-handed, perhaps because the art of fiction was still young. There is much in the way of deus ex machina, miracles and the like, while the plot is not much developed. It falls somewhere between Jaynes's "[the] god told me to do it" structure described in The Origin of Consciousness in the Breakdown of the Bicameral Mind and Forster's description of a plot (rather than a picaresque series of "and then... and then..." events).
Part 1 is far more engaging. Part 2 ("oh, yeah, women can be saved, too") seemed repetitious.
Emotionally, it was similar to reading the Left Behind series in that I have a hard time viscerally understanding why faith trumps acts. That, I suppose, demonstrates that I was raised in a very different spiritual and philosophical milieu.
Title: The Pilgrim's Progress from This World to That Which is to Come, Delivered under the Similitude of a Dream
Author: John Bunyan
Publisher: Blackstone Audio
Year: 1666/2000
325 pages
Audiobook.
This is not a review of the religious sentiments expressed in this early allegorical novel.
The allegory itself was heavy-handed, perhaps because the art of fiction was still young. There is much in the way of deus ex machina, miracles and the like, while the plot is not much developed. It falls somewhere between Jaynes's "[the] god told me to do it" structure described in The Origin of Consciousness in the Breakdown of the Bicameral Mind and Forster's description of a plot (rather than a picaresque series of "and then... and then..." events).
Part 1 is far more engaging. Part 2 ("oh, yeah, women can be saved, too") seemed repetitious.
Emotionally, it was similar to reading the Left Behind series in that I have a hard time viscerally understanding why faith trumps acts. That, I suppose, demonstrates that I was raised in a very different spiritual and philosophical milieu.
The English Patient
#703
Title: The English Patient
Author: Michael Ondaatje
Publisher: Vintage
Year: 1992
302 pages
Audiobook.
The first of two books featuring a burned man with a mysterious, plot-twisting identity I happened to read simultaneously in some weird kismet-y thing.
I never saw the film, and this was so much better than anyone led me to believe that I must now a) re-evaluate everything I've ever been told; and b) read everything by Ondaatje that I haven't already.
The complaints I'd heard were that "it's boring" and "nothing happens," neither of which were my experience of it. I did think the parallelism, symbolism, and complementary aspects of characters and actions were pretty obvious and overblown, but I didn't find that this detracted from my enjoyment. I kept thinking, "If they made a film of this, I'll bet they'd...," so I suppose I'll have to see if they did.
Title: The English Patient
Author: Michael Ondaatje
Publisher: Vintage
Year: 1992
302 pages
Audiobook.
The first of two books featuring a burned man with a mysterious, plot-twisting identity I happened to read simultaneously in some weird kismet-y thing.
I never saw the film, and this was so much better than anyone led me to believe that I must now a) re-evaluate everything I've ever been told; and b) read everything by Ondaatje that I haven't already.
The complaints I'd heard were that "it's boring" and "nothing happens," neither of which were my experience of it. I did think the parallelism, symbolism, and complementary aspects of characters and actions were pretty obvious and overblown, but I didn't find that this detracted from my enjoyment. I kept thinking, "If they made a film of this, I'll bet they'd...," so I suppose I'll have to see if they did.
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