Thursday, October 24, 2013

Passage through India: An Expanded and Illustrated Edition


#1048
Title: Passage through India:  An Expanded and Illustrated Edition
Author: Gary Snyder
Publisher: Grey Fox Press
Year: 1983/2009
152 pages

A delightful and sometimes deep travelogue of Snyder's visit to India. Spare language and targeted details make this narrative, which was written more or less as a letter based on his journals, both insightful and poetic even when the prosaic is being described. Allen Ginsberg and Peter Orlovsky figure, as do a certain number of drugs and a reasonable amount of gastric upset. There's one photo of a Buddha statue that I could look at for hours--and have.

Sunday, October 13, 2013

The Island of Doctor Moreau

#1047
Title: The Island of Doctor Moreau
Author: H. G. Wells
Publisher: Bantam
Year: 1896/1994
160 pages

Fascinating less for the story (which is entertainingly horrifying and must have been quite scandalous in its day) and more for the pseudoscientific tone, including the disclaimers and apologies of the narrator. This might be usefully compared to Atwood's Oryx and Crake as a cautionary tale about how humans paradoxically degenerate when they play god.

Sadly, as with Paolo Baccigalupi's halfmen, I can't help but picture McGruff the Crime Dog at times.




Saturday, October 12, 2013

Brief Lives (Sandman #7)

#1046
Title: Brief Lives (Sandman #7)
Author: Neil Gaiman et al.
Publisher: Vertigo
Year: 1993/2011
168 pages

Perhaps the best so far, this is the family drama volume. Delirium is sheer visual pleasure and a contrast to the always somber Morpheus. More back story on Morpheus and Orpheus; much loss and sadness, well-portrayed and emotionally deep.

Heat and Dust

#1045
Title: Heat and Dust
Author: Ruth Prawer Jhabvala
Publisher: Counterpoint
Year: 1975?/1999 (reprint)
192 pages

Somewhat mannered, somewhat overwritten, and perhaps with too much parallelism, yet I still enjoyed this exercise in comparing and contrasting two women's lives in India across generations. The unnamed contemporary woman's experience seems like a somewhat tawdry version of Olivia's, but I suppose it is progress of a sort for exoticism to yield to the prosaic, and for one woman's Nawab to be another woman's anxious civil servant.

Fables and Reflections (Sandman #6)

#1044
Title: Fables and Reflections (Sandman #6)
Author: Neil Gaiman
Publisher: Vertigo
Year: 2011 (new edition)
168 pages

These are stories loosely linked by the help or meddling of Morpheus over a long span of time. Notable in introducing Orpheus, of whom more later.

Saturday, October 5, 2013

Six-legged Soldiers: Using Insects as Weapons of War

#1043
Title: Six-legged Soldiers: Using Insects as Weapons of War
Author: Jeffrey A. Lockwood
Publisher: Oxford
Year: 2009/2010
400 pages

In The Simpsons, Season 7, Homer finds occasion to taunt: "Or what? You'll release the dogs? Or the bees? Or the dogs with bees in their mouths so when they bark they shoot bees at you?" At its best, Six-legged Soldiers is very much about dogs with bees in their mouths so when they bark they shoot bees at you. Or at least, about bee and hornet nests catapulted over the parapets. Or the biblical plagues of Egypt understood through the lens of causal insect action. Or scorpions in overhead trap doors. Or torture involving fleas and lice. Or the refinement of insect-delivered diseases, or the development of insectoid weapons. This is all riveting. Unfortunately, Lockwood's writing drags and bogs down at times, even with such exciting subject matter. It's worth working your way through it, though there isn't really a conclusion or climactic payoff. Still, despite the sometimes-slog, you'll learn a lot about attempts to weaponize bugs.

Friday, October 4, 2013

The Time Machine

#1042
Title: The Time Machine
Author: H. G. Wells
Publisher:Unknown
Year: 1895
~104 pages

Re-reading Wells's classic after many years, I'm struck by the "scientific" style, also used by Poe for his science fiction. The learned exposition about physics or the material world; the careful articulation by the protagonist of the limits of his expertise or possible lack of objectivity at times; the proofs that lead to the suspension of disbelief; the citing of authorities (here, though unnamed, Darwin plays a major role)--I just love the tone and the techniques used to reel the reader in.

Strip away the science and you've got a story which, although ostensibly about the future degradation of human nobility, reads very much like a colonial tale about the debased indigenes. This makes me think about how much of science fiction follows this model, though the noble rather than monstrous savage sometimes takes center stage.

I can poke some holes in the plot, but why bother? It's still a good story and in its day must have galvanized many readers.