#605
Title: A Clockwork Orange
Author: Anthony Burgess
Publisher: Penguin Modern Classics
Year: 1962/1998
160 pages
Title: A Clockwork Orange
Author: Anthony Burgess
Publisher: Penguin Modern Classics
Year: 1962/1998
160 pages
Audiobook (edition not clear from publishing data, audiobook at http://www.audible.com/pd?asin=B002V1OHIW)
I'm fond of Burgess, so it pains me to relate what a putz he is in the intro ("A Clockwork Orange Resucked") read in this audiobook. He rails against U.S. publishers for removing his last chapter, which is included in this edition. He incorrectly asserts that Americans only like the book for its baser qualities and aren't interested in Alex's redemption. Well, guess what? The last chapter is terrible, tacked-on, what our semiotics friends like to refer to as the suturing of the text (as, in Austen, Yay! Everybody gets married! That takes care of the plot!). It makes little sense in the world of the book--aww (spoilers ahead), poor widdle Alex wants a widdle baby, and a meaningful life, just 'cause? Yeah, I believe that. The horror of the concluding chapter in the first U.S. editions is that the system continues to screw up, and political machinations are such that the restoration of Alex's violence serves a useful purpose that has nothing to do with protecting either Alex or his society. Kudos, original U.S. publisher! Boooo, Burgess! Wanting a moral ending doesn't mean you wrote it successfully!
That said, there's much I admire about this novel, and my admiration only grows with each re-reading. In this audiobook version I'd have wished for a less careful, more natural reader, though his rendition was fine. The appended segment of Burgess reading (from an older recording) has the slurry fluency I crave, and I may have to hunt up that version as well.
I'm fond of Burgess, so it pains me to relate what a putz he is in the intro ("A Clockwork Orange Resucked") read in this audiobook. He rails against U.S. publishers for removing his last chapter, which is included in this edition. He incorrectly asserts that Americans only like the book for its baser qualities and aren't interested in Alex's redemption. Well, guess what? The last chapter is terrible, tacked-on, what our semiotics friends like to refer to as the suturing of the text (as, in Austen, Yay! Everybody gets married! That takes care of the plot!). It makes little sense in the world of the book--aww (spoilers ahead), poor widdle Alex wants a widdle baby, and a meaningful life, just 'cause? Yeah, I believe that. The horror of the concluding chapter in the first U.S. editions is that the system continues to screw up, and political machinations are such that the restoration of Alex's violence serves a useful purpose that has nothing to do with protecting either Alex or his society. Kudos, original U.S. publisher! Boooo, Burgess! Wanting a moral ending doesn't mean you wrote it successfully!
That said, there's much I admire about this novel, and my admiration only grows with each re-reading. In this audiobook version I'd have wished for a less careful, more natural reader, though his rendition was fine. The appended segment of Burgess reading (from an older recording) has the slurry fluency I crave, and I may have to hunt up that version as well.