#862
Title: Unorthodox: The Scandalous Rejection of My Hasidic Roots
Author: Deborah Feldman
Publisher: Simon & Schuster
Year: 2012
272 pages
I didn't grow up in a
Hasidic community, though I've worked with a mixed range of
Orthodox/Hasidic groups, so I'm not unfamiliar with these cultures, nor
do I exoticize them. I've had experiences that accord with Feldman's
depictions of some practices (such as keeping information about sexually
transmitted diseases from adolescents) and the way stories spreads
through the teen girl rumor mill, which is often more concerned with
shocked and disapproving titillation than with accuracy. I've
experienced questioning of my living arrangements, devaluing of my own
expression of Judaism, intrusions on my personal life, and work
requirements that posed moral dilemmas for me. I did hand-expurgate
copies of One Day in the Life of Ivan Denisovich
when I was directed to do so. And I did make the decision to risk my
job in order to tell teenagers how they could and could not get AIDS,
because some of their beliefs were wildly inaccurate, hurtfully
homophobic, and based on the assumption that the larger community worked
actively to harm Jews. (For example, I was told earnestly and more than
once that gay gentile waiters hate Jews because they recognize that the
Haredim are better than the goyim, so they spit on their salads in
restaurants in order to give them AIDS.) I also experienced more
welcome, solidarity, and kindness than Feldman describes receiving,
despite my being worse than an outsider--from their perspective, I was
an apostate Jew, one who had lived in Israel, who spoke Hebrew, who was
an enticement for good children to slide into the world of
assimilationist Judaism, an unmarried woman who could have been a bridge
to sin and chaos. And that's without knowing about the lesbianism,
Patti Smith albums, and shrimp.
The way I read Feldman is
different from many reviewers, who are focused on the questions of
veracity and how the author represents the Satmar community. Being
familiar with and not entranced by it, my interest and attention is
drawn elsewhere. Stripped of what I might think of as the distractions
of evaluating family timeline and cultural truths, instead reading this
simply as a personal narrative, I see a person with pervasive distress,
suspicion of others' motives, a deep lack of trust, extreme sensitivity
to disapproval, and the gnawing fear that she is inadequate. Feldman
describes a no-win world, where others fail to value or cherish her so
she preemptively denigrates them. She consistently compares herself to
other people and finds them wanting, while secretly worrying that she is
the odd one. She can't attach with them emotionally and frequently
describes herself as empty, hollow, alienated, or otherwise
disconnected. When one desire is met another takes its place,
perpetuating the grinding failure to hold onto happiness.
I
agree with some of Feldman's cultural critiques and her sense of being
constrained, but the problem this memoir describes goes far beyond that.
For the first third of the book, her descriptions of herself and others
so aggrandized her and belittled others that I assumed that the
structural twist, the book's emotional hinge, would be the story of how
she learned to balance a brash and self-centered adolescence with the
maturity of adulthood, how she rejected or made peace with aspects of
her upbringing and religion, and how she recognized her own and others'
humanity. However, this is not that story.
This is the story of
someone who depicts herself as judgmental and cruel as if this were
justified, clever, or a way to join with the reader, and as a person who
attracts (or automatically ascribes to others) judgment and cruelty
directed toward her. From her perspective, she is surrounded by mean
people. She describes herself as lying, deceiving, hiding, manipulating,
and then feeling contempt for others when they take her at her word.
This is a lonely stance and puts me in mind of Laing's The Divided Self.
From the reader's perspective, Feldman is harshly insulting and
critical of others, unable to describe them empathically or as people
who might ever have good intentions or altruistic motives, or who might
even care for her. I don't know what may have happened in her life to
put her in this state, but at the end of the book, despite a vaguely
described flight from Brooklyn and the Judaism of her upbringing, she
doesn't appear to have gained liberation from her more pervasive demons.
This is a memoir of despair that may not know its own causes, or how it
depicts Feldman to the reader. In this regard it's painful and
embarrassing to read. I feel great compassion and concern for her,
though she might see this as a reviewer's ploy rather than as a real feeling.
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